Capt. William H. Wincapaw, known as an adventurous and skilled Airman, unknowingly began a tradition in 1929. He was just a guy that wanted to bring holiday cheer to the lighthouse keepers along the East Coast by dropping packages of toys, coffee, shaving supplies, and snacks around Christmas time. He soon became known by the light keepers as the Flying Santa. Over the decades the planes and pilots changed, but except for a break during World War II, the practice continues today, now by helicopter.
This Christmas, Frank wanted to pay special tribute to the new Airman in the family, his grandson Griffyn. So, a new 30” x 24” acrylic on wood panel painting shown below is added today to Frank’s lighthouse series. The lighthouse seen in this painting is the Boston Light.
This painting honors those who take special care of the all-important light keepers, as well as the remote Coast Guard outposts.
Now as Griffyn has his first Christmas away from home in the Air Force, we wish him and his group a safe and enjoyable Christmas, as we thank all those who bless and protect us from above.
Frank’s lighthouse series brought a commission for a public wall mural. The mural below, painted in the reception area of a Silicon Valley business, is a takeoff on Frank’s Pigeon Point set. The scene is a rare sunny day setting for Frank, but more typical of what the pubic likes to view.buy viagra with dapoxetine onlineSeveral organizations use a lighthouse theme, portraying themselves as a guiding light. Frank is more interested in the diligent work of the keeper, who in a Zen monk-like way, maintained the life-saving beacon through the night, keeping the oil or kerosene topped-off and all systems running.Inspiration from the discipline of the light keepers played a key role in the completion of the mural project.
Frank was commissioned to paint the mural over a weekend to reduce impact on the business. Frank agreed, as long as the wall was prepared with an undercoat on Friday evening after hours, by a pro, according to Frank’s specifications and color. That way it would be dry and ready for the art on Saturday morning, which Frank estimated would take the entire weekend, if all went well. The wrinkle is that when Frank showed up Saturday morning to begin, the wall had not been painted. The “pro” didn’t show.
Frank set about immediately to shop for and find the paint to do the necessary undercoat. The primer coats were done, but the wall was not dry enough to begin the painting until Saturday night. Thinking of how the keeper of the light would work through the night, Frank could not shrink from his duty and painted all night, collapsing to nap occasionally on the seats in the picture. By late Sunday afternoon, Frank thought the picture done, and invited his wife Mary and others to come view the production, and take him home.
Everyone raved when they walked in the door, while Mary showed Frank a quizzical look, after studying the mural. Frank knew that look and placed high value as always on Mary’s artistic eye. Taking her aside, she offered her view toward perfection, suggesting to Frank that the perspective on the two windows on the side of the keeper’s house was a bit askew. Frank stood back, a little bleary eyed, refocused, and saw exactly what she had pointed out while others still went on about how cool the painting had turned out. After thanking Mary for her valuable assistance, it took about 15 minutes to paint the correction. Then a smiling Frank, with Mary’s concurrence, declared the lighthouse mural done. The business owners were very pleased Monday morning when they showed up for work.
In Frank’s painting below, “Moving On” (48” x 24” acrylic on wood panel) he depicts our urge to explore the far reaches of space and colonize other star systems before our sun expires, or some other calamity befalls earth. To do so, we put a lot of emphasis on technology. But tech does fail, and we would be wise to do a better job of caring for what we have.